Third Time's a Charm for Area Stage's Beauty and the Beast: The Award Winning Immersive Show is Back for a Final Run at Sunset Place (MIami Artzine)

Yarden Barr as Belle in Area Stage Company's "Beauty and the Beast."

by Jan Engoren, Arts Writer

To paraphrase a line from the show, “Beauty and the Beast,” “If it’s not Baroque, don’t fix it.”

Not only is it not “Baroque,” the four-time Carbonell award winning immersive show, “Beauty and the Beast,” presented by Area Stage Company, returns Thursday, Nov. 14 through Saturday, Dec. 21 for an encore and final run at Beast’s Castle at Sunset Place Mall.

"This new immersive space, which opened with 'The Little Mermaid' earlier this year, is hosting Disney's 'Beauty and the Beast' for the first time here in South Miami, providing an opportunity for the community to come and experience an award-winning production in a non-traditional setting," says Maria Banda-Rodaz, Area Stage Company’s executive director.

With music by Alan Menken, lyrics by Howard Ashman and Tim Rice and book by Linda Woolverton, the production is faithful to Disney’s 1994 Broadway production.

Directed by Giancarlo Rodaz, who won a Silver Palm Award for “Outstanding Direction” for the show in 2022, the 28-year-old Rodaz comes to his role organically as his parents, John Rodaz and Maria Banda-Rodaz founded the theatre in 1989.

New York-based actor, Yarden Barr, reprises her inaugural role as Belle and is joined by Carbonell-nominated Frank Montoto as Gaston and Lumiere, John Mazuelos as Lefou and Cogsworth, Katie Duerr as Mrs. Potts, Antoinette Jane Mess as Chip, Gabriella Alfonso as Babette and Carbonell winner Tico Chiriboga in dual roles as Maurice and Madame de la Grand Bouche.

Barr was on a national tour with another show during “Beauty and the Beast’s” second production in 2023, but has picked up where she left off for this third iteration.

Newcomer Tristan Caldwell, who appeared in the national tour of "Little Women," plays the title role of the Beast and actively sought out the role, auditioning for it a number of times over the past few years, including for the national tour.

Happy now that he is here to assume the role at Area Stage, Caldwell says, “I’m thrilled to be here and a part of this talented cast.”

“It’s the most interesting theater experience you can have,” says Caldwell. “There’s no room for falseness.”

His first time performing in an immersive theater environment, he says he’d be lying if he said he wasn’t nervous. While preparation is key, he says, there’s an element of nerves in being in close quarters with the audience.

Area Stage Company's “Beauty and the Beast” is back but this time at its South Miami home base. (Photo courtesy of Giancarlo Rodaz)

Area Stage Company's “Beauty and the Beast” is back but this time at its South Miami home base. (Photo courtesy of Giancarlo Rodaz)

One of the few baritone roles for a leading man, Caldwell says the music is “tricky and challenging, but a real joy.”

“It’s a powerful story arc and a challenge to play the role.”

For Barr, taking part in an immersive theater production adds to the acting experience.

Guests dine alongside Belle in the “Be Our Guest,” number, raise a toast with Lefou in the tavern during “Gaston,” and present books to Belle in the Beast’s grand library.

“You see the audience’s reactions up close and experience an immediate, emotional response from them,” she says. “It’s very gratifying.”

Frank Montoto as Lumiere, who also doubles as Gaston in Area Stage Company's “Beauty and the Beast.” (Photo courtesy of Giancarlo Rodaz)

Frank Montoto as Lumiere, who also doubles as Gaston in Area Stage Company's “Beauty and the Beast.” (Photo courtesy of Giancarlo Rodaz)

The character of Belle is Barr’s favorite Disney character, she says, and she watched the Disney film many times as a child. So taken with the character, Barr named her childhood cat, Belle.

Stepping back into the character “feels so natural,” she says. It’s great to see her friends and fellow cast mates in their respective roles and to see how much they’ve grown over the past two years.

With two more years of experience under her belt, she’s grown, too, but says her character, “Is the same Belle.”

“I love her heart,” says Barr. “She’s willing to see the best in people and to give as much of herself as possible.”

For artistic director Rodaz, is there pressure to produce, having set a high bar with the two previous productions?

“Just the opposite,” he says. “I’m very nonchalant. I’ve got a great team, a great space and a great story to tell.”

“It’s been lots of fun and not pressure at all,” he says.

He believes the third time is the charm, with this production being the cleanest, tightest version and new cast members bringing a fresh perspective to the table.

“I love the cast and am totally confident in this great team and excited to see what they bring to their roles,” he says. “There’s an electricity among the cast.”

Like most Disney shows, Rodaz says the story appeals to adults and kids alike. He remembers a father who brought his young daughter to the show and was both taken and surprised with his own emotional experience.

“ 'Beauty and the Beast 'is an emotional experience on par with 'Les Miz' and the 'Phantom of the Opera,' says Rodaz, who grew up in Florida, frequenting the Disney theme parks.

Expressing an affinity for the Harry Potter worlds, Rodaz appreciates the immersive experience they offer.

He says it allows people to enter an alternate reality. With so much screen and on-line time, Rodaz says audiences are hungry for an authentic, intimate and emotional theater experience.

“I love that feeling of escaping the world you know and entering a world full of fantasy,” he says.

“That’s what we’re doing here with Beauty and the Beast,” he says. “Watch love and romance blossom and see these stories come to life.”

“There’s nothing quite like it,” Rodaz says.

WHAT: Area Stage’s “Beauty and the Beast”

WHEN: Thursday, Nov. 14 through Sunday, Dec. 22. Show times: 2:00 p.m. and 7:30 p.m.

WHERE: Beast’s Castle at the Shops at Sunset Place Mall, 5701 Sunset Drive, Suite 286, South Miami

TICKETS: $40 to $80

INFORMATION: (305) 666-2078 or areastage.org.

REVIEW: Area Stage's 'Alice' Is Lively Adventure -Miami Artzine

Thursday, October 10, 2024

Aaron Krause, theater critic

John Mazuelos as The Mad Hatter. (Photo by Giancarlo Rodaz)

Visionary and versatile live theater artist Giancarlo Rodaz’s new immersive and audience participatory stage adaptation of “Alice’s Adventures in Wonderland” is a piece for our time.

Indeed, with its unpredictability and darkness, Rodaz’s version reflects the uncertainty and anxiety we face in today’s often-dark and scary world – a world not unlike Wonderland, at least to the titular character. Sudden darkness and repeated banging on a door, for instance, may unsettle you. And, be aware, there's a chance you'll get wet.

A costumed cast member in Area Stage's production. (Photo by Giancarlo Rodaz)

But at the same time, the adaptation, running through Sunday, Oct. 20 in an energetic Area Stage Company (ASC) world premiere production, doesn’t lose sight of the fact that “Alice’s Adventures in Wonderland” is a children’s story. Undoubtedly, there’s enough of a playful vibe to satisfy youngsters and young ones at heart. In fact, at times you’ll feel like a young child with other kids much like attending story time at your local library.

The roughly 70-minute production without intermission plays out in a spacious room within ASC’s black box and studio space in the Shops at Sunset Place in South Miami.

The fact that the show is unpredictable not only reflects today’s anxiety and uncertainty but should keep audiences attentive – you just don’t know what will happen next. And if you’re the type of audience member who doesn’t want to participate, no problem. You can simply observe and you won't be judged.

Rodaz’s adaptation, described as “part party game, part escape room, and part play” takes audiences into a space that looks like some type of art/music room. In particular, paint looks like it’s peeling from walls and a piano rests in one corner. In another area of the space, a turf-like surface graces the ground, perfect for a croquet game.

Even the lighting instruments appear party-ready. The instruments move while changing hues from red to blue.

“Have you guessed the riddle yet?” a man wearing a black coat asks. It’s hard not to be curious after hearing this question.

The Queen of Hearts (Katie Duerr) is in no mood to party. (Photo by Giancarlo Rodaz)



Soon, characters with whom you may be familiar enter the room -- The Queen of Hearts, the titular character, The Mad Hatter, Mock Turtle, Caterpillar, Cheshire Cat, White Rabbit.

Of course, if you’re a fan of English author and poet Lewis Carroll’s beloved story “Alice’s Adventures in Wonderland” these fictional folks will be familiar to you. If you’re a newbie to the story about young Alice, you may feel lost at times, like her.

So, for newcomers, background information may help.

Greta Hicks as Alice and John Mazuelos as The Mad Hattter. (Photo by Giancarlo Rodaz)

In Carroll’s imagination, Alice is a young girl who falls asleep in a meadow and dreams of following a White Rabbit down a rabbit hole. She lands in Wonderland, a place with numerous strange creatures and bizarre adventures. They include attending a tea party with the Mad Hatter and the March Hare, as well as playing croquet with a flamingo and hedgehogs. And yes, in Rodaz’s adaptation, you can play along.

During her time in Wonderland, Alice not only experiences such adventures, but wrestles with questions of identity, reality, and the nature of imagination.

The titular character is full of wonder and uncertainty while in Neverland. And in ASC’s production of “Alice and the Mad Tea Party,” cast member Greta Hicks deftly captures these qualities. Hicks, a performer with long reddish hair and bluish eyes, looks lost and confused as her character wanders around the strange land.

John Mazuelos as The Mad Hatter (standing) and Katie Duerr as the Queen of Hearts at the piano. (Photo by Giancarlo Rodaz)

Hicks leads a cast of performers with whom you may be familiar if you frequent ASC’s productions. Specifically, in addition to Hicks, John Mazuelos plays The Mad Hatter and Mock Turtle, Katie Duerr portrays The Queen of Hearts and Caterpillar, Maggie McNeil steps into the skin of The Dormouse and Cheshire Cat, Frank Montoto becomes The March Hare and Dodo, Tico Chiriboga plays White Rabbit, and child performer Antoinette Jane Mass steps into Young Alice’s shoes.

Each performer creates a distinct and interesting character and appears to have a blast playing make believe. In addition to creating the adaptation, Rodaz helmed the production, directing it with playful, even rowdy energy.

Rodaz, who has received well-deserved acclaim for his immersive productions, also designed the set, lighting, and sound.

In addition to performing, Duerr also worked behind the scenes as musical director (you’ll likely recognize some songs, such as “Jump in The Line” (“Shake Senora”) from “Beetlejuice.” And who among us isn’t familiar with “Twinkle, Twinkle, Little Star” an English lullaby featuring lyrics from an early 19th-century English poem. The Queen of Hearts plays the latter song on the piano while the others sing. It’s a nice change of pace from constantly hearing her demanding “Off with (his or her) head!”

For the most part, the queen doesn’t appear to be in a party mood, despite the fact that she sports a party hat. The hat, as well as her white and black outfit, are among the colorful and varied costumes that Sofia Ortega designed.

Promotion for the production asks, “Are You Mad Enough to Join?” Go and enjoy – and don’t worry; and everyone leaves with their heads intact in spite of the queen’s demands.

IF YOU GO

WHAT: “Alice and the Mad Tea Party.”
WHEN: Through Sunday, Oct. 20. Show times are 6 p.m. and 8 p.m. Thursdays-Sundays.
WHERE: The Shops at Sunset Place (above Barnes and Noble), 5701 Sunset Drive in South Miami
TICKETS: $50.
INFORMATION: Go to www.areastage.org or call (305) 666-2078